Thursday, May 16, 2013

marked for life

tat

People often expect a great story from me when they ask about my tattoo. It disappoints them when I give the simple answer: “um, because it’s pretty”. In fact, I just disappointed another person recently, which is what inspired me to write this post.

I think because of shows like "Miami Ink" – so many of the customers go in with heartbreaking and inspiring stories –people have picked up the impression that tattoos are meant to mark momentous occasions.

Many tattoos do have great stories behind them, but mine isn’t one of them. I am one of those people who got tattooed for decorative reasons – an idea I know is abhorrent to some (I have a friend who is deeply offended by the idea, but we’ve agreed to disagree). I picked my Art Nouveau-style tattoo because I like Alphonse Mucha, but he’s hardly my favourite artist. I picked his work largely because I knew they would tattoo beautifully.

In cultures that have a long history of tattoos, they were meant to tell the story of a person’s life and his place in society. Tattoos have also been used in the worst possible ways (such as during the Holocaust) to ostracise and disfigure.

Today, tattoos are fairly commonplace and people get them for all sorts of reasons. But whatever these reasons are, tattoos are a statement because of their sheer visual impact. Whether you got one on impulse or to remember a loved one or to join a gang, they instantly say something about you.

So I can see why it seems a bit lame to say that I like tattoos for their visual appeal. But I remember the first time I felt moved to get a tattoo. I was about 14, and sitting next to me on a bus was this woman with a gorgeously coloured tattoo of a Japanese carp swimming up her arm, fringed with cherry blossoms. On paper, I would consider the image clichéd. But on skin, the image was lush, rich and full of life.

Skin is a living thing, beautiful on its own, but in the right context it’s also a canvas that brings an image to life. I love looking at beautifully rendered tattoos and watching an artist at work. I also like that can be a very personal process – you have to like the artist when you spend hours with the person. I enjoyed the process of talking things over and refining the design.

Some of my friends think tattoos are a “safe” way to rebel for fairly conventional types. I don't see myself in this category (whatever it is I plan to rebel against, why would I do it with a tattoo?), but does it matter what they think? It's mine, it's beautiful and it's forever. I'm not trying sum up my life and my beliefs with one tattoo and that's why I view it with no angst-y "what does it mean?" feelings.

I dream of getting a full sleeve, a lush bouquet of dahlias wending up my arm, but I haven’t because a) I work for a very conventional employer and I need my job; and b) a richly detailed tattoo like that is expensive. But I’ve got a nice mental of ideas I’d like to execute some day, and I just have wait for the right mood to strike, and get it done.  

* Yep, that's me up there. And the picture is very appropriate, since I am flying to Indonesia tonight for a bit of diving. Have a good weekend everyone!   

Friday, May 10, 2013

pulling back the curtain

One store I have visited repeatedly over the years to buy my basics – socks, undies, plain ribbed cotton tanks – and the odd awesome item (linen shirts and knits) is Uniqlo, which prides itself on its affordability. With the Rana Plaza death toll tipping over 1,000, I felt compelled to check out Fast Retailing’s (FR) employment and CSR policies, and so I had a look at their latest CSR report for FY12.

Taking a leaf out of Jess’ book, here’s my review of the report – in particular, the section on its production partners and its monitoring efforts to ensure employment practices are adhered to and production standards are met (environmental issues were reported in a separate section).

There were summaries of FR’s monitoring efforts for FY12 -

“In fiscal 2012, 13 “Grade E” incidents (serious, highly unethical offences that are subject to immediate contract review) were reported. They included five false reporting incidents, three cases of child labor, and five instances in which required improvements were not completed within a specified period of time. The FR Group’s Business Ethics Committee (for further details, please refer to page 19) reviewed each incident and implemented response measures.

Follow-up monitoring efforts also led to one incident being dealt with appropriately. Four more resulted in the cancellation of business agreements. At the end of August 2012, the number of factories with “Grade E” evaluations had been reduced to eight production sites.”

Some details were provided on the nature of some of these incidents; here are three examples -

1) Child Labour (China)
"FR employees identified an incident of child labor at a factory in China in October 2011, when it was discovered that an underage girl, born in December 1995, was working at the site. Chinese law prohibits companies from hiring anyone under the age of 16. The employee was 15 years old at the time and had used her older sister’s ID card when she was hired. The factory’s General Accounting department verified the authenticity of the ID card at the hiring interview, but did not notice that the card was not the applicant’s, due to the similarity in the sister’s facial features. FR employees revisited the factory and confirmed that it had stopped employing the girl.

The FR Group ensured that she was paid for the hours that she had worked, as well as the regular wage that she would have earned at the factory (had she not been dismissed for her age) until she turns 16. Personnel files were then created for each of the factory’s employees. FR recognizes that this error occurred despite the factory’s efforts to follow proper hiring procedure, but due to the serious nature of the incident, it reduced the volume of business it did with the facility."

2) False Reporting (China)
"An interview with employees at one partner factory in China, conducted as part of FR’s regular monitoring activities, uncovered a discrepancy in the factory’s recorded working hours. The records and pay statements indicated that a number of employees had been paid for four hours of work on a Saturday, but four of those individuals told FR staff that they actually worked eight hours on that day. FR employees revisited the factory and discovered that during the monitoring period, the factory’s personnel administrator had provided records that only showed a portion of the total hours worked, so the reported hours would fall within the statutory limits for overtime work.

FR found evidence that the unreported hours had been recorded by hand and that the appropriate overtime compensation had been paid. This was a particularly serious incident, as it involved the extremely unethical falsification of data, so FR implemented measures to cease its business ties with the factory."

3) Wage Calculation Methods (Vietnam)
"Monitoring efforts at one partner factory in Vietnam revealed that the employees did not understand the method for calculating their wages. FR Group employees visited the factory and discovered that the policy on wage calculation methods had not been communicated properly to the local employees. FR proposed holding a staff meeting and publicising information on factory bulletin boards. Follow-up monitoring efforts confirmed that the required improvements had been implemented."

A table -

table

The report included features on two of its partners: Chenfeng Group in China, PT Pan Brothers in Indonesia (they also produce clothes in Bangladesh, Thailand and Vietnam). These are likely the “model” partners, and the focus was on their production process rather than employment practices.

It’s reassuring that FR actually monitors its factories, but it looks from the report that the company doesn’t monitor all of them. The company monitored 229 factories in FY12, up from 174 in FY2010, but I can’t tell from the report how many factories FR works with, and whether 229 is a significant proportion of that. So, in short, the report could be more comprehensive in terms of statistics, such as frequency of monitoring, proportion of factories monitored, just to name two.

I find the tone of the report less self-congratulatory than the much bally-hooed one from H&M about their eco efforts, although it is of course, still very upbeat and positive.

Overall, I find the report too “summarised”. Perhaps they thought no one would want to read a dictionary-length report about their production processes, but it’s probably because reports like these are likely also a PR exercise, and not intended to be a rigorous disclosure effort. FR mentioned that they work with NGOs and third party organisations to conduct reviews to improve the effectiveness of their monitoring efforts – how about sharing which groups they work with and publishing one of these reviews or evaluations?

Also, I didn’t read the other sections of the CSR report as closely, but briefly, the section on minimising environmental impact didn’t impress me much, at a glance.

I confess, the report did have the effect of assuaging my unease about shopping at Uniqlo (and by extension, other FR brands like Helmut Lang, Theory, Comptoir de Cotonniers), which is probably what FR intended. Still, I took a look at Inditex’s website and couldn’t find similar information, which I suppose puts FR one notch ahead of at least one major apparel company on the disclosure front.

After thinking it over, I decided I was cautiously encouraged by FR’s efforts (because I am an optimist) and am hoping they are: a) honest in their reporting and b) improve on their efforts. But it doesn’t change my quest for retailers who fare better on the ethical scorecard, and also to buy less and make better use of things I already have.

Have a gander at the report here. What say you?

PS: A report from NYT that should please fans of Everlane.

Tuesday, May 07, 2013

offended

sart19
Scott Schuman via The Sartorialist

Came across this comment when I browsing the Internet (this is how you lose a couple hours doing nothing): “Women wear outfits. Women dress up. A man ought to simply dress.”

The post was largely about other things, but this offhand comment stayed with me. It's so disdainful and sexist. Why is there so much veneration (and overveneration) of the way men shop and the whole menswear industry in general, when womenswear comes in for so much flak?  It's not like trendy fast fashion is exclusive to women (take a look at Topman).

Men are applauded when they take an interest in style and can wax lyrical about chambray and be taken seriously, but somehow I think a woman who discusses her Birkin bag collection the same way won’t be in for the same treatment.

I can see the sentiment behind the comment – for a start, a glance at any women’s fashion title on the newsstand and you’d be hard pressed to think otherwise.

But I also think a strong strain of sexism lies behind this sort of thinking. And this is such a disservice to all the women out there who don’t fit into this stereotype and are frustrated about constantly being marketed to like we’re a bunch of spendthrift, trend-seeking, "women love to shop" archetypes.

And that's my angry thought of the week.

Monday, April 29, 2013

notes for april

tumblr_mcn0twWgbx1qmi1r2o1_1280
Koto Bolofo for Margaret Howell via The Practical Dresser

  • There is no lack of good coffee places in Singapore, but must they all be so hard to get to?
  • I wish more people would pay attention to the Rana Plaza collapse in Bangladesh and make the connection to the clothes many of us buy without second thought. As usual, a nuanced take from Jess.
  • Booked a flight to Istanbul for July. The unfamiliar is exciting
  • Erm, how did it take so long for me to get hooked on the original “The Killing”? “Forbrydelsen” (“the crime” in Danish) has everything I love in a TV drama – taut pacing, subtle acting, a layered plot, characters you care about.
  • That hole in my chukka boot is getting bigger.

Friday, April 19, 2013

back and forth

maggie
National Portrait Gallery, via Vanity Fair

A mixed week. Engrossed in two things in completely different ways: a new book ("The-Post Birthday World"), and the Boston attack and news coverage. Found time to exercise more, but ate badly. Finished an assignment, but felt I didn't do the subject justice. Had a promising meeting with my boss, but got told off by someone else for a work-related matter. If everything is one step forward and one step back, that does leave me in the same place, and is that a good or bad thing?

One unequivocally good thing - Maggie Smith's portrait for the National Portrait Galley, by James Lloyd. I found it elegant, but unfussy, contemporary and classical, and thought it captured that playful dignity I've always admired in her. I also like the decision not paint her as a idealised, smooth-skinned figure - the textures of her face and elsewhere in the painting seem to reflect a rich, well-led life no?

And what a great outfit.

Have a great weekend everyone.

Saturday, April 13, 2013

it's that heat

shirt

Finally, we are well into April, and I am happy to have left the horror that was March behind – cleared a major project, my schedule is somewhat back to normal, and I finally got to tackle some tasks left on the backlog.

The craziness of the first three months of the year may be why I’ve managed to stay clear of serious shopping. I’ve bought three things this year so far – a pair of brick red cotton jeans, a pair of leather lace-ups and glasses. One trendy buy, one classic buy/sort-of necessity, and one necessity. Even on all counts.

I have a “nice to have” list in my head, but haven’t quite felt like making a move on any of them. At the moment, not adding to my possession count feels nice and light, and I’m enjoying mining my wardrobe anyway, which is always deeper than I expect. I often fish out things I’ve left alone for months, even years, and find them quite relevant again, and new ways to wear old things make themselves apparent over time.

It's been very hot here in Singapore, so one way of adapting my uniform of shirts and trousers is to wear them open over a vest. When it's this hot, every bit of ventilation is precious. And any look that can be classified as "comfortably rumpled" is fine with me. 

Wednesday, April 03, 2013

that sweet spot

IMG_9626

So I said I was looking for some inspiration, and then I came across this terrific interview with Penny Martin of The Gentlewoman on Three Thousand, via the epitome of quiet. Love the honest and thoughtful way she addressed the questions - she doesn't seem condescending, and it's so easy to sound that way when you're trying to set the tone for something.(Good questions from the interviewer too.)

I started off liking but not loving The Gentlewoman because it felt a little self-serious in the first few issues but I love that it's found its pace and I look forward to every issue. I do wonder if the very qualities I find appealing - personality-driven, exploring subjects and issues through the lenses of the women they feature - would also be the ones that limit its potential as a magazine. But I think that's a challenge Penny Martin would appreciate: how to relate to people and yet be true to the magazine's vision, and keep people coming back for more.